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In the 1990s, The Matrix introduced the cyber-goth trench coat. In the 2000s, Underworld gave us vinyl-clad vampires. But today, the aesthetic has fractured. We now have:
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It stared back from the floor-to-ceiling mirror in the Chrysalis dressing room, its skin gleaming under the cold white lights. Not with sweat—no one sweated anymore—but with a perfect, wet-looking sheen, as if she’d just stepped from a vat of liquid glass.