If directed by a contemporary auteur like Srijit Mukherji or Kaushik Ganguly, Akritagya would likely employ non-linear storytelling. The protagonist’s act of betrayal would be revealed through flashbacks, interspersed with symbols from Tagore or Nazrul Islam’s poems about loyalty and debt. The cinematography would contrast warm, golden-hued memories of past kindness with cold, blue-tinted present-day selfishness. The climax would offer no easy redemption—perhaps a moment of silent realization where the ungrateful character sees a mirror of their own future in their child’s behavior, completing a tragic cycle.