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He describes a vertical "beam" of sound that the singer must visualize, shifting its focus and "weight" based on pitch and vowel shape.
It acts as the "only medium" through which falsetto can be integrated into the chest voice without a "break" or "wobble".
He describes a vertical "beam" of sound that the singer must visualize, shifting its focus and "weight" based on pitch and vowel shape.
It acts as the "only medium" through which falsetto can be integrated into the chest voice without a "break" or "wobble". the voice of the mind edgar f herbert caesari pdf exclusive
