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The fourth object — the one he handled the most — was a single, faded setlist from a small club in Cleveland. On the back he had once scribbled, in a hurried hand, three words: “Private Line — Tonight.” The phrase stayed with him like a chord progression he couldn’t shake. To him, a private line was less a connection to a person and more a channel to an honest place inside himself, something you reached when the crowd quieted and the microphone carried more than melody.

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