Noura’s "promotion" to the terrace comes with a condition: he must no longer look at the women with the eyes of a child, but rather respect the boundaries of a man. However, Noura is stuck in between. He is shunned by the group of older boys in the neighborhood for being too soft, yet he is also alienated from the women he grew up with because he is now considered a "man."
Director Férid Boughedir masterfully uses the camera to represent the "male gaze" and the loss of innocence. The film is famous for its scenes on the terraces, where Noura struggles with his newfound access to the private world of women. The question the film poses is poignant: How does a boy learn to look at women not as mothers or sisters, but as objects of desire, while maintaining respect? This internal conflict is the heart of the movie's drama. Noura’s "promotion" to the terrace comes with a
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