When dawn came, Kosukuri sang. Songs had endings again: dinners emptied and chairs scraped; children finished the stories their mothers told and went to bed. The canals reflected a sun that had learned to set.
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Kosukuri slept like a satisfied animal, its edges soft. The Unending no longer prowled the lanes. It would not be eradicated; creatures like hunger live long. But Nara had tied a knot that would hold for a while, and in the spaces where endings returned, life fit itself into new shapes.
Nara returned to her shop to find a patron waiting: a young cartographer with ink still damp on his fingers — the same man whose hands she had once almost followed into the hinterlands. He had come back to the city after years away and carried, folded in a parcel, a map that had a single blank fork where a river might go.
Then Lyra stepped forward. She didn't draw a weapon. She knelt, scooped up a handful of the strange, sorrowful dust that The Grumble shed, and blew it into the air.