Similarly, Vidheyan (1994) by Adoor remains a terrifying study of feudal slavery in the agrarian south, while Thondimuthalum Driksakshiyum (2017) subtly critiques the inefficiency and humanity of the lower courts and police system. Even a mainstream blockbuster like Lucifer (2019) is deeply rooted in Kerala’s political landscape—the rise of corporate-political dynasties, the power of the Church, and the fanaticism of youth wings. You cannot follow the plot of a Mohanlal or Mammootty political thriller unless you understand the dynamics of Kerala's CPI(M), INC, and the various Christian and Muslim league factions.
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