These big band arrangements of originals are written for 5 saxes, 4 trumpets, 4 trombones (one being a bass trombone), piano, bass and drums. A guitar part is included as an extra for most of them. A few also include extra percussion parts. You might find this useful. Please note that music on this page is more basic than on the other pages. For more advanced (and hopefully more interesting) pieces go to the next pages. The most recent pieces are on the last page.

Consider Kireedam (1989). The story of a constable’s son who is accidentally branded a criminal shattered the myth of the invincible hero. The climax, where the protagonist returns home bloodied and broken, is a direct commentary on the culture of lahej (shame) and abhimanam (honor) in Kerala’s middle class.

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The evolution of Malayalam cinema is inextricably linked to the socio-political movements of Kerala. The early decades, particularly the 1950s and 60s, were heavily influenced by the progressive ideologies of the Communist movement and the literacy campaigns that defined the state. Landmark films like Neelakuyil (1954) and Chemmeen (1965) broke away from mythological themes to address caste discrimination, poverty, and the complexities of rural life. These films didn't just tell stories; they acted as mirrors to a society undergoing rapid transformation, establishing a tradition of "Middle Cinema" that remains the industry's hallmark today.

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: Maternal roles are central to Malayali family narratives, with actresses like Kaviyur Ponnamma Consider Kireedam (1989)