Here is a write-up detailing the project, its context within the 3DCG community, and its technical appeal.
@keyframes scaleIn from opacity: 0; transform: scale(0.9); to opacity: 1; transform: scale(1); Lara Croft- Island Of The Sacred Beasts - 3DCG-...
As they prepared to leave the island, Lara turned to her team with a sense of pride and accomplishment. They had uncovered secrets, discovered wonders, and proved that even the most elusive treasures could be found with determination and courage. Here is a write-up detailing the project, its
The project followed a structured 3D computer-generated (3DCG) production pipeline, incorporating: electric sacs on chest
| Beast | Appearance | CG Focus | Combat/Role | |-------|------------|----------|--------------| | | Feathered serpent, 30m long, obsidian scales, glowing glyphs | Subsurface scattering on scales, fluid sim for water wakes | Environmental puzzle – Lara rides it to open a floodgate | | Thunderbird Raptor | Feathered wings, electric sacs on chest, metallic beak | Feather grooming (groom sim), lightning VFX (Niagara), high-speed camera shake | Aerial set-piece – Lara uses a zip-line harpoon to ground it | | Stone Oni Golem | Moss-covered basalt, crystal core visible through cracks, four arms | Rigid body destruction (chunks break off), IK for multi-arm grabbing | Stealth boss – Lara must climb its back to extract the core |
Section F — Gameplay & Interactivity (if applicable) (20 points) 15. Multiple choice (4 pts)