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If the film has a flaw, it’s that the final twenty minutes attempt to solve problems the first ninety only diagnosed. A sudden turn toward “hopeful solutions”—a unionization drive, a wellness app for performers, a quiet scene of the former child star teaching an acting workshop—feels grafted on from a different, less honest documentary. Chen seems aware that audiences need a release valve, but the shift undercuts the systemic bleakness she so carefully built. The pop star, notably, does not get a redemption arc. She drops out of the industry entirely, moving to Oregon. That is the more honest ending, and the film should have trusted it.

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